Best friends Patrick (Currie Graham) and Jamie (Ben Bass) are also cousins and cops determined to keep the streets safe and provide for their families. Their relationship suffers when they become entangled in a dangerous mix of mobsters, corruption, drugs and murder. As Jamie's boss, Patrick often has to cover for him, but their roles are reversed when Patrick falls in with the wrong people. Natasha Henstridge co-stars as Patrick's wife.

一群剑桥学生毕业后十年的生活故事。

The documentary recounts Alan Conway's deception as Stanley Kubrick, exploiting misconceptions about Kubrick's appearance and people's desire for contact with a celebrity. It features an interview with Conway from 1996 and Alexander Walker's insights, aiming for objectivity. The narrator also addresses Conway's criminal past and allegations of sexual misconduct, linked to Kubrick's name. Conway died shortly before Kubrick. Cook and Frewin later made "Colour Me Kubrick," a comedy starring John Malkovich, inspired by Conway's story.

A community of monks decides to solve its financial predicament through the sale of a potent cure for rheumatism made from rare herbs and one hundred per cent proof alcohol.

Hugo was once a happily married man living an idyllic life. But the arrival of a nemesis from the past is the catalyst for his transformation to Soho drag artist as the weekend descends into a riot of strippers, gypsies, thieves and murder.

A film about Alexei Avechkin – a talented, creative dancer who opened up a new page in Latvian ballet history but was taken from life unforgivably early. A story about searching, striving and inspiration.

潜意识中零散的梦想，想要成为另一个非“我”的存在。更白皙的肤色、迷人的身材、更大的鼻子、更大的眼睛、更多的财富和权力……在“母亲”的帮助与引导下，“我”向着欲望的虚空召唤这些幻想，让自己成为了所有那些幻想中的模样。这是一场直面力量的旅程，而最终……

As a teenager in 1960s Alabama, Jimmy Ellis' wonderful singing voice was unlike any other. Except, that is, for one Elvis Presley. Hampered by his over-resemblance to the King, Jimmy’s own singing career floundered. Then, in 1979 he found fame as a masked singer called “Orion”, a persona deliberately evolved to create intrigue in the wake of Presley’s death. Over the next years he played to legions of grieving Elvis fans, and developed his own fanatical fan base, many of whom remained in wilful denial about the true identity of their idol. With his contract stipulating he never remove his mask in public, Ellis’ success came at a high price for the singer still hoping to succeed on his own terms. Jeanie Finlay’s nuanced portrait of Ellis serves as a riveting cautionary tale of the music industry, and a memorable exploration of identity.

Charles Durning as Pope John XXIII

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